This week marks the 39th anniversary of a theft at Amherst College's
Mead Art Museum.
On the night of February 8, 1975, in response to an anonymous
tip received at Massachusetts State Police Barracks in Northampton, Amherst College Police made an
alarming discovery: tracking footprints still visible through the new snow,
they found a museum window broken, and the room within littered with empty
picture frames. Museum staff quickly realized that three Dutch canvases had
been removed from the frames and stolen: Hendrick (Cornelisz.) van
Vliet's The Interior of the New Church, Delft,
Pieter Lastman's St. John the Baptist, and Jan Baptist Lambrechts's
Interior with Figures Smoking and Drinking.
The trail of the stolen paintings soon turned cold . The
Mead registered the lost artworks with the Art Dealers Association of America,
to alert prospective vendors of their criminal provenance, and Amherst College overhauled the museum's security
program and addressed vulnerabilities in the facility. Insurance compensation
allowed the college to acquire a "replacement" painting by Van Vliet, Interior of the Nieuwe Kerk, Delft, in
1982.
Years later, in January 1989, there was a breakthrough in the investigation:
during an undercover drug sting in Illinois,
police recovered the paintings by Van Vliet and Lastman, which were being
offered as collateral in a drug deal. More information appeared in the 2009
best-seller The Art of the Heist: Confessions of a Master Thief, in
which the author, Myles J. Connor, Jr., took credit for the Mead heist,
describing it as an impulsive change-of-mind, one he made after coming to the
Amherst area with plans to rob a bank.
In the absence of new leads on the whereabouts of the
Lambrechts, Mead's Head of Security Heath Cummings set to work scouring museum
files and college archives, and conferring with colleagues and experts to
assemble as much information as possible on the case. In collaboration with the FBI, the Mead is
redoubling its efforts to solve the crime, saying that members of the public have the
chance to play an heroic role.
"I've been researching this case for several years," Cummings said, "trying to clarify the details that have been lost with time. After collecting and reviewing old files, news articles and witness recollection on a nearly forty-year-old case, it is safe to say we have learned all we can about the theft, enough to officially reopen the investigation. Our goal is to discover the fate of the Lambrechts painting, and bring it back home to Amherst College. The prospect of putting it back on display with the other two paintings that were recovered in 1989 is a very exciting one."
"I've been researching this case for several years," Cummings said, "trying to clarify the details that have been lost with time. After collecting and reviewing old files, news articles and witness recollection on a nearly forty-year-old case, it is safe to say we have learned all we can about the theft, enough to officially reopen the investigation. Our goal is to discover the fate of the Lambrechts painting, and bring it back home to Amherst College. The prospect of putting it back on display with the other two paintings that were recovered in 1989 is a very exciting one."
The Mead is working with the FBI's Art Crime Team to locate and recover the painting. As part of that effort, the painting has been listed in the National Stolen Art File. Anyone with any information relating to the theft, or to the location of the painting, should contact the FBI at 617-742-5533, or online at https://tips.fbi.gov.
Who can predict the next lead in the case? Mead officials say, "Perhaps someone reading this announcement holds the clue to solving the Mead's decades-long mystery." YOU could be a hero!
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